I love a visual!

I love a visual!

Postmodern Picture Books Part Deux

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Part Deux of Postmodern Picture Books...

  

Help!  We Need a Title

By Herve Tullet 

Tullet, H. (2013). Help!  We Need a Title. Sommerville, Massachusetts: Candlewick Press. 

 



Right from the get-go, the reader is part of this story. 
 
"Hey!  Someone's watching us!", says a golden-haired girl with a tall pointy hat (we later discover she is a fairy) says to her friend, who is a pig.
 
The characters, wanting to entertain their visitor, try to present the reader with some sort of story.  They try their best, but feel unable to provide a proper narrative.  They even ask the reader for some ideas, but don't get the response they require.
 
 
 
Eventually, the characters find they must call upon the author for help.  The author, represented in part-photograph, part-illustration form, does help out begrudgingly (he just isn't ready to tell his story yet).
 
I love the face the author makes when he is interrupted by the characters.
 
 
 
The tale the author weaves is a very short one, but it will have to do. 



Then, the author goes back to writing his book, the characters bid the reader adieu and return to playing a game.
 
 
 
This book is fun and bright and silly.  The short story the author tells in the middle of the book is very simple, but does contain all the elements of a story and I think this book could be useful in teaching students those concepts of character, setting, plot, etc. in an entertaining way that would be easy for students to understand.
 
 
 
 

 

The Incredible Book Eating Boy

By Oliver Jeffers 

Jeffers, O. (2006). The Incredible Book Eating Boy. London: Harper Collins Publisher Ltd.

 

Henry eats books.  But, when the books get all jumbled up inside and cause him some serious problems (plus it is awfully expensive to eat books and it deprives others of the chance to read them), he gives up eating and takes up reading.





It is the subject matter as well as some of the design elements of this text that makes it postmodern.  A bite has been taken out of the book and there are random pages from dictionaries, accounting books, etc. mixed in with the text of the story.






I would use this books with students as a way of opening up a discussion about reading, the love of reading, how reading a book is like eating a book, and reasons why we read.  Those types of discussions are wonderful ones to have at the start of a new school year and they absolutely have to happen in order to help students develop their metacognitive life as a reader. 

 
 

Instructions

Written by Neil Gaiman 

Illustrated by Charles Vess 

Gaiman, N. (2000). Instructions. New York: Harper Collins Children


 

 




Throughout the book, many fairy tales are referenced either through illustrations or words.  The author has taken his lifetime experience as a fairy tale reader (and adventurer) and jotted it all down as to be a benefit for future generations. 

 
Afterall, storytelling is quite often about the elder passing along hard-earned wisdom and insights to the younger so that the younger can ignore most of it and carry on to make her/his own mistakes and create her/his own wisdom to later pass along!


 

 
Even his bedroom has turned into a facsimile of Van Gogh's!
 


 
 

 
 
 
 


 

 
 
 
 
I would use this book to help my students understand how time can sometimes jump around in a narrative.  It is an explicit skill that needs to be taught to readers who are in the transitional stage of reading development.  For students to understand that authors don't always write in a straight timeline is important for their comprehension.  This is also a good text to use to discuss how previous events can affect characters in the present.
I would like to try having my students create a book like this with moveable parts that accentuate the story.  I have to give it some thought in terms of just how to go about it.  Should the story be written and then once it is complete, add the moveable parts or should the story be written with the parts in mind?   I will have to do one for myself before I assign it to my students.  I usually do the writing pieces I am going to assign so I can prepare myself for any problems my students might encounter (not that I solve them for them, but I want to know about them in advance).
 





This is a simple book and not amongst my favorites of this genre, but it does work well for readers in the early stage of reading as the text is relatively easy to read and the illustrations are helpful.


The book is bright with lots of interesting illustrations and I like how to makes the reader aware of how things are not always what they seem and that our eyes can play tricks on us.


 
I would use this book in a guided reading session.  I think it would be a good book for students to practice some of their word decoding skills and also prompts lots of discussions.  Talking about books is very important for readers.  It assists with development of vocabulary and builds community.  It also provides students with access to the experiences of other students and helps them make their own connections.
 
 

 

The Dumb Bunnies

Written by Sue Denim

Illustrated by Dav Pilkey 

Denim, S. & Pilkey, D. (1994). The Dumb Bunnies. New York:  Scholastic.

 
 
This book is just plain dumb.  And that makes it perfect for lots of kids (and some adults)!  This is the kind of book that can hook a kid into reading.  It makes them realize that reading can be fun, silly, full of laughter and something that you can share with others.  That is how I would use this book...as a fun reading experience.


I love having a student read this book with me.  There is so much foolishness on every page which engages students and brings the giggles, smiles and AHA! moments.  This book can be read at lots of levels from enjoyment of the slapstick to the more sophisticated humor that can be found if you know enough to get all the references.



I know some teachers balk at using this kind of book with students because it is considered low culture.  They want to expose students to classic literature and I want that, as well.  However, these books have a place in classrooms, too, because they have the ability to turn a child into a lifelong reader.  We need to provide books that appeal to the wide range of students we teach so that we can make sure we capture all students in our reading net. 

A Book

By Mordicai Gerstein

Gerstein, M. (2009). A Book. New York: Roaring Book Press.



Everyone has a story.  What's yours? 

 
 
This book provides that prompt and so it is useful for getting writers writing.  It also addresses the various genres of stories there are such as fairy tales, mysteries, etc.  It would be a great book to use to introduce a study on genres.  And because the book offers up different stories for the girl to join, there is a little something for everyone in this book in terms of subject matter.

 


I like this book a lot.  The characters in the story speak directly to the reader and I enjoy that interaction.  As the little girl searches for her story, she realizes all the types of stories she doesn't want to be a character in.  


She meets up with the world's greatest detective!

In the end, she decides to create her own story.  While her family settles down to watch television, the little girl grabs her notebook and pencil and a spot on a rug and begins her creation.  No scene warms a teacher's heart more than that!

Beware of the Storybook Wolves

By Lauren Child

Child, L. (2000). Beware of the Storybook Wolves. New York: Scholastic.

 
Yet another Postmodern take on fairy tales. 
There are so many of these! 
Some are better than others and this is a very good one!
 
 
 
 
I love that the kid's name is Herb.  And I love how he is great at problem solving, thinks outside the box, but is still afraid of the dark.  When a fairy tale wolf escapes from a book, Herb has to use all his know how to survive which he does and lives happily ever after (of course).




One thing to consider if you are planning to let students read this book on their own, there is some cursive type text which may be challenging to read for some students.  I might actually use the book to discuss with students what strategies they might use to deal with text that is cursive. 



Doing a character study on Herb might be another way to use this book.  He is a very strong character and there is much that can be inferred about him by his behavior throughout the book.  This book put me in mind of Sendak's "Where the Wild Thing Are" in the sense that the child is the hero of the story and he successfully faces the creatures of his imagination.

 

 
They do send a post card...very polite cats!
 
This is a sweet book.  If you have a student who loves cats, they will really enjoy this book.  It is important for teachers to know about the interests of their students so you can use those interests to enhance student learning.  Intrinsic motivation is the best motivator.  Students will do their best work and be more engaged when their learning is connected to something meaningful to them.  More importantly, teaching is all about relationships. Getting to know your students helps you create a relationship that makes you a better teacher.
 
 

Don't Let the Pigeon Drive the Bus!

By Mo Willems

Willems, M. (2003). Don't Let the Pigeon Drive the Bus!. New York: Hyperion

 
 
 
A former resource teacher at my school used this book as part of a lesson on pre-thinking before you read a book.  She had students think about all the words they might see in the book based on the predictions they made about its content. 
 
 
She wrote the words on a chart and the students talked about them as a group.  Then she started reading the book and drew connections to the words they had brainstormed.  She demonstrated how thinking about a book before you read helps you once you start reading it.  They reason I relate that episode is because this is a very silly book, but it can be used to teach students a variety of reading skills. 
 
 
 
Plus, the students are highly engaged and interested because the book has an interesting subject matter, cool illustrations and a main character who directly addresses the reader.  It is a great book and there are a number of follow-up books done by Willems which are equally appealing to students. 
 
 
 
I would also use this book to start a discussion about persuasive writing.  The pigeon tries to convince the reader to let him drive the bus using a variety of approaches and arguments.  This is a good lead into using language and words to express yourself and get your point across.
 
 

Zoom

By Istvan Banyai

 

Banyai, I. (1995). Zoom. New York: Puffin.

 
 
 
This is the first page.  What is that?  It looks like some sort of bacteria or maybe the top of a funny hat or a dinosaur.    Big time use of imagination!  Gets those little grey cells humming!
 
 
 
This is the second page.  AHA!  It is a rooster's comb.  This story must be about a rooster.  Maybe it is a book about birds.
 
 
Third page.  It takes place on farm.  These are the kids who live there.  What are those strange lines on the boys hat and jacket?
 
 
Fourth page.  Look at all those barnyard animals.  I wonder why all the animals are running around free.  Shouldn't they be in pens?  Maybe it is a free range farm.
 
 
Fifth page.  It is a whole village!  But what are those yellow things underneath the trees?  And the buildings look a little too close together.
 
 
AHA!  Now I see.  It's a model.  Someone is creating a village using these toys.
 
And, so the book goes.  It is great for developing student ability to make predictions, ask questions and use their imaginations to try to figure out just what is going on.   And all without worrying about words.
 

Re-Zoom

By Istvan Banyai

Banyai, I. (1995). Zoom. New York: Puffin.

 
 
Same concept as Zoom by the same author. 
I am going to let these first 6 pages of the book speak for themselves. 
Scroll down slowly and let your imagination take flight!
 
 
 
 
 

 
 

 
 

 
 




 
 

 

Trust Me, Jack's Beanstalk Stinks!

Written by Eric Braun

Illustrated by Cristian Bernardini

 

Braun, E. & Bernardini, C. (2012). Trust Me, Jack's Beanstalk Stinks!. Minnesota: Picture Window Books

 



One more entry about fractured fairy tales.  This is a series I have in my classroom and my students love to read them whenever they have free time to read.  There are 10 books in the series and they are available through Scholastic or Capstone Publishing.  They are written and illustrated by a variety of people who I assume are freelancers. You can find out more about these books by clicking here to be directed to Capstone's website.

Home of the Brave

By Allen Say

Say, A. (2002). Home of the Brave. Boston: Houghton Mifflin

 
 

It is very rare to find a Postmodern picture book that crosses over into the social justice/historical fiction genre, but this one does just that.  It is considered Postmodern because of the untraditional narrative and the surrealism in the illustrations and the storyline. 


 
 
Say tells the story of the internment of Japanese-Americans during World War II through a dream-like narrative.  He does not focus on facts, but rather on the emotional aspects of that traumatic event and painful moment in American history.
 
 
 
The pictures of the children are most impactful, their faces full of confusion and hurt. 
 


 

Children crying out to go home, to have their freedom.
 
I like this book very much.  It can be used at any time during the year, but around the Remembrance season is a good time because of its connection to WWII and so the students are thinking about the events of that war.  The illustrations are remarkable...they are so good in fact that I want to cut the book apart and frame each page.  And, they are powerful because it is in the pictures that students see the haunting images that help them think about freedom, how we sometimes take it for granted until its loss shows us how devastating life can be without it.



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